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Oil Paintings Come From United Kingdom
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Miranda, Juan Carreno de
Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion

 

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Miranda, Juan Carreno de Saint Sebastian oil painting

Painting ID::  19454

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Miranda, Juan Carreno de
Saint Sebastian
1656 Oil on canvas Museo del Prado, Madrid.
   
   
     

 

 

Miranda, Juan Carreno de Portrait of Charles II oil painting

Painting ID::  19455

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Miranda, Juan Carreno de
Portrait of Charles II
1676 Oil on canvas Museo del Prado, Madrid.
   
   
     

 

 

Miranda, Juan Carreno de Peter Ivanovich Potemkin oil painting

Painting ID::  19456

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Miranda, Juan Carreno de
Peter Ivanovich Potemkin
1681-82 Oil on canvas Museo del Prado, Madrid.
   
   
     

 

 

Miranda, Juan Carreno de Portrait of Charles II oil painting

Painting ID::  28093

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Miranda, Juan Carreno de
Portrait of Charles II
mk61 c.1676 Oil on canvas 201x141cm
   
   
     

 

 

Miranda, Juan Carreno de Peter Ivanovich Potemkin oil painting

Painting ID::  28094

X 
 

Miranda, Juan Carreno de
Peter Ivanovich Potemkin
mk61 c.1681-1682 Oil on canvas 204x120cm
   
   
     

 

 

Miranda, Juan Carreno de King Charles II of Spain oil painting

Painting ID::  32279

X 
 

Miranda, Juan Carreno de
King Charles II of Spain
c. 1650 Oil on canvas, 78 x 65 cm
   
   
     

 

 

Miranda, Juan Carreno de Duke of Pastrana oil painting

Painting ID::  32281

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Miranda, Juan Carreno de
Duke of Pastrana
Oil on canvas, 217 x 155 cm
   
   
     

 

 

Miranda, Juan Carreno de Eugenia Martinez Valleji, called La Monstrua oil painting

Painting ID::  32284

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Miranda, Juan Carreno de
Eugenia Martinez Valleji, called La Monstrua
Oil on canvas, 165 x 107 cm
   
   
     

 

 

Miranda, Juan Carreno de La Monstrua Desnuda oil painting

Painting ID::  32285

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Miranda, Juan Carreno de
La Monstrua Desnuda
Oil on canvas, 165 x 108 cm
   
   
     

 

 

Miranda, Juan Carreno de Mass of St.Fohn of Matha oil painting

Painting ID::  32924

X 
 

Miranda, Juan Carreno de
Mass of St.Fohn of Matha
mk84 1666 Paris,Musee du Louvre,canvas 500x315cm
   
   
     

 

 

Miranda, Juan Carreno de Charles II As Grandmaster ofthe Golden Fleece oil painting

Painting ID::  32938

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Miranda, Juan Carreno de
Charles II As Grandmaster ofthe Golden Fleece
mk84 1677 Rohrau, canvas 217x141cm
   
   
     

 

 

Miranda, Juan Carreno de Charles II as Grandmaster of the Golden Fleece oil painting

Painting ID::  43810

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Miranda, Juan Carreno de
Charles II as Grandmaster of the Golden Fleece
1677 Oil on canvas, 217 x 141 cm
   
   
     

 

 

Miranda, Juan Carreno de portrait of emperor pedro ll oil painting

Painting ID::  56241

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Miranda, Juan Carreno de
portrait of emperor pedro ll
mk247 1855,oil on canvas,private collection
   
   
     

 

 

Miranda, Juan Carreno de barnabe' de ochoa de chinchetru yfernandez de zuniga oil painting

Painting ID::  64294

X 
 

Miranda, Juan Carreno de
barnabe' de ochoa de chinchetru yfernandez de zuniga
1660 new york, hispanic society of america
   
   
     

 

 

Miranda, Juan Carreno de La reina Mariana de Austria de luto oil painting

Painting ID::  77695

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Miranda, Juan Carreno de
La reina Mariana de Austria de luto
Date 1669(1669) Medium Oil on canvas Dimensions 211 ?? 125 cm (83.1 ?? 49.2 in) cyf
   
   
     

 

 

Miranda, Juan Carreno de Portrait of Queen Mariana de Austria as a Widow oil painting

Painting ID::  77926

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Miranda, Juan Carreno de
Portrait of Queen Mariana de Austria as a Widow
Date 1673(1673) Medium Oil on canvas Dimensions 196.5 ?? 123.5 cm (77.4 ?? 48.6 in) cyf
   
   
     

 

 

Miranda, Juan Carreno de Portrait of a lady with a lapdog and pistol oil painting

Painting ID::  78205

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Miranda, Juan Carreno de
Portrait of a lady with a lapdog and pistol
ca. 1660(1660) Medium Oil on canvas Dimensions 199 x 155 cm (78.3 x 61 in) cyf
   
   
     

 

 

Miranda, Juan Carreno de Portrait of the Duke of Pastrana oil painting

Painting ID::  79015

X 
 

Miranda, Juan Carreno de
Portrait of the Duke of Pastrana
Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
   
   
     

 

 

Miranda, Juan Carreno de Portrait of the Duke of Pastrana oil painting

Painting ID::  79704

X 
 

Miranda, Juan Carreno de
Portrait of the Duke of Pastrana
Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
   
   
     

 

 

Miranda, Juan Carreno de Portrait of Queen Mariana de Austria as a Widow oil painting

Painting ID::  81483

X 
 

Miranda, Juan Carreno de
Portrait of Queen Mariana de Austria as a Widow
1669(1669) Medium Oil on canvas Dimensions 211 x 125 cm (83.1 x 49.2 in) cyf
   
   
     

 

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Miranda, Juan Carreno de
Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion